As portrayed in her About Colour’ Exhibition, Sarah seldom showed the entire figure in her work, leaving the face often hidden or cropped out, to portray a sense of mystery and ethereality, often photographing the models from the back, as if they belonged to some transitory, transitional place or a fragment of a memory. In these compositions, she aimed for the women to convey both strength and fragility. Blurring, unusual cropping, scratches and distortions gave them an almost painterly aspect, often taken using Polaroid positive/negative film